Monteverdi: L’incoronazione di Poppea (Drusilla) – Longborough Festival Opera

Lucy Knight, singing with attractive vigour and charm
— Classical Source, Curtis Rogers, 28th July 2018 —
Monteverdi: L’incoronazione di Poppea, Longborough Festival Opera

Lucy Knight makes a welcome return to Longborough following small parts in Figaro (2016) and Flute (2017). Blessed with acting skills and a sensuous manner when necessary, she makes a big impact.
— Seen and Heard International, Clive Peacock, 1st August 2018  
Monteverdi: L’incoronazione di Poppea, Longborough Festival Opera

From among the multitude of other excellent performances, Lucy Knight displays a beautifully sweet soprano as Drusilla.
— Music OMH, Sam Smith, 3rd August 2018 — 
Monteverdi: L’incoronazione di Poppea, Longborough Festival Opera

Mozart: Le Nozze di Figaro (Bridesmaid) – Nevill Holt Opera

They were complemented… even by the Bridesmaids, Lucy Knight and Sophie Gallagher, who flirted outrageously with the Count while singing about the constancy of marital love.
— The Times, Hugh Canning, 24th June 2018 
Mozart: Le nozze di Figaro, Nevill Holt Opera 

Mozart: Le Nozze di Figaro (Barbarina) – Longborough Festival Opera

Lucy Knight’s Barbarina was sweetly sung
— Bachtrack, Dominic Lowe, 27 June 2016
Mozart: Le nozze di Figaro, Longborough Festival Opera  ★★★★

Lucy Knight as Barbarina sings ‘L’ho perduta, me meschina’ beautifully
— Music OMH, Sam Smith, 28th June 2016 
Mozart: Le nozze di Figaro, Longborough Festival Opera

Karl Jenkins: The Healer  –  Carnegie Hall

I am going to single out two movements that were my favorites, the hauntingly beautiful The Dove, with Lucy Knight’s exquisite heart-melting voice.
— New York Concert Review, Jeffrey Williams, 24th January 2015 – Karl Jenkins: The Healer, Carnegie Hall

Massenet:  Werther  (Sophie)  –  Grimeborn Festival

Lucy Knight’s Sophie clearly has a huge crush on him, and her singing was fresh and forthright, not girlishly twee.
— Opera Magazine, Yehuda Shapiro, November 2014 – Massenet: Werther, Grimeborn Festival

Lucy Knight sang prettily as Sophie.

— The Telegraph, Rupert Christiansen, 23rd August 2014 – Massenet: Werther, Grimeborn Festival ★★★

Lucy Knight is a charming little sister Sophie and her light, airy interventions are sweetly sung.
— The Evening Standard, Kieron Quirke, 20th August 2014 – Massenet: Werther, Grimeborn Festival ★★★

As Sophie, Lucy Knight is charming, singing with a delicate lightness which judges the acoustic perfectly, her performance full of “little girl” detailing (twisting her hands in her skirt, hiding her face in people’s arms) which is adorably cute. If anything, I would have liked to see a little more emotional progression in Sophie, who does grow up slightly during this opera, but Knight’s performance was consistent, brilliantly acted and well executed.
— Bachtrack, Charlotte Valori, 22nd August 2014 – Massenet: Werther, Grimeborn Festival ★★★★

Lucy Knight’s Sophie was a brilliantly sung, bubbly contrast to her elder sister.
— Classical Source, Peter Reed, 19th August 2014 – Massenet: Werther, Grimeborn Festival

Lucy Knight made a delightful Sophie, giving the character a certain wide-eyed wonder and youthful attitude which worked well and her act 2 solo was full of the right amount of charm and lyric beauty. There was a degree of extra by-play in the action which seemed to be suggesting that Sophie was in love with Werther too.
— Planet Hugill, Robert Hugill, 20th August 2014 – Massenet: Werther, Grimeborn Festival ★★★★

Penrith Music Society  –  Evening Song Recital (Soprano Soloist)

This was an outstanding recital by two young artists of whom much should be heard in the future. Lucy and James are to be commended not only for the quality of their performance but also in the imaginative and successful concept of their programme. A recital to remember.
Penrith Press Release, Colin Marston, February 2014 – Lucy Knight and James Sherlock, ‘Amour et la folie’ evening recital

Debussy:  Pelléas et Mélisande  (Yniold)  –  Grimeborn Festival

There was exquisite singing and acting from Lucy Roberts as Yniold
— Opera Magazine, Yehuda Shapiro, November 2013 – Debussy: Pelléas et Mélisande, Grimeborn Festival

The Grimeborn Festival continues in Hackney, last week offering a model of sensitive direction in Debussy’s Pelléas et Mélisande, with a… sweetly vulnerable Yniold from Lucy Roberts.
— The Independent, Anna Picard, 24th August 2013 – Debussy: Pelléas et Mélisande, Grimeborn Festival

Sibelius:  Kuolema  (Soprano Soloist)  –  King’s Place / ECO

It was given a beautifully pitched performance by the ECO under Paul Watkins and the impressive young soloists Lucy Roberts (soprano) and Johnny Herford (baritone), and I was amazed to learn that the performance was this country’s first. Composed to illustrate a play of sublime gloominess by his brother-in-law Arvid Järnefeld, the music is exquisitely haunting. I hope to hear it, and the soloists, again soon.
— The Guardian, Guy Dammann, 6th May 2012 – Sibelius: Kuolema (UK premère), English Chamber Orchestra, Paul Watkins ★★★★

‘Elsa’s Song’… was graced by the plaintive contribution of Lucy Roberts.
— Classical Source, Richard Whitehouse, 5th May 2012 – Sibelius: Kuolema (UK première), English Chamber Orchestra, Paul Watkins

Blow:  Venus and Adonis  (Venus)  –  Hampstead Garden Opera

Lucy Roberts singing Venus in the Blow was quite outstanding.
— Camden New Journal, 26th November 2009 – Blow: Venus and Adonis, Hampstead Garden Opera ★★★★